![]() ![]() ![]() Spock must assign with the certitude that some great loss of life will occur. More times than can be counted, Kirk commands decisions that the emotionless Mr. After the Enterprise arrives on the outskirts of the Klingon homeworld, the film’s pacing reveals nonstop contrivances to put the entire crew in the face of absolute eradication. When a pause is taken between obliterations, it’s entirely too brief seconds later, spontaneous new scenarios are devised for further demolition. Like a “Fast and Furious” film in space, this science-fiction adventure converges all of its energy into scene after scene of unwieldy destruction, intense action, hand-to-hand combat, and photon torpedo barrages. As Kirk inches closer to his target, he discovers that neither his mission nor his quarry is as it appears, and with the aid of his exceedingly perceptive second-in-command Spock (Zachary Quinto), the resolute leader must lead the resourceful crew of the Enterprise against an enemy of unimaginable power. Relegated to first officer under Captain Pike (Bruce Greenwood), Kirk quickly receives a second chance when the traitorous John Harrison (Benedict Cumberbatch) attacks Starfleet headquarters and Admiral Wallace (Peter Weller) tasks the brash young man with tracking down and exterminating the rogue soldier. Kirk (Chris Pine) is relieved of his command aboard the USS Enterprise when his reckless actions during a routine expedition endanger the lives of his crew. Yet for all its flaws, the film still barrels forward with an admirable momentum, a handful of absorbing action sequences, and protagonists likeable enough that the melodramatic moments in between the flurries of mayhem evoke more empathy than indifference.Ĭaptain James T. The antagonist is both superhuman and essentially unassailable, but when necessary to wrap things up, unexplainably vanquishable. “Into Darkness” does trump the previous film with a more engaging villain, though even this suffers from a trivializing lack of limitations. Continually compounding additional dilemmas onto situations already teeming with the weightiness of inescapable downfall apparently forced the writers into a corner – one that could only be maneuvered out of with a deus ex machina, or worse yet, a miracle. Rather than devising some truly suspenseful plights, this chapter opts for gratuitous lengthening and preposterous exacerbation of its rather foreseeable scenarios of calamity. Tar Trek Into Darkness” faces the same predicament almost every movie sequel encounters: how to top the first one. ![]()
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